As fragile as a falling raindrop with the weight, depth, and mass of a black hole, PI is an album that can pass by in the blink of an eye or stretch out for eternity. It cannot be measured in timestamps and play counts, it exists outside of that, it is both liminal space and the destination. It is a work of art, and it is nothing at all.

Dark Dazey put the art back into artist and ‘Enemy’ is a track that feels like classical painting with enough cultural clout, skill, and relevance that it should be hung in a museum. With its vivid imagery, vibrant color, and brilliantly unique style and shape, you can enjoy it from a completely aesthetic surface level, or look a little deeper, and get lost in the enormity of its message and meaning for hours.

Old school flow that wiggles and winds effortlessly in and out of a richly layered funky fresh bouncy beat, serving up lyrical expertise and multisyllabic schemes along with a giddy grin inducing head nodding rhythm.

This is feel-good music in the truest sense, how can you not smile while you immerse yourself in this consuming creativity and playful perfect percussive massage. You come out the other side feeling nourished, appreciated, and loved. The band clearly get out as much playing the music as you do listening to it and it’s synergistic and wholesome to feel that unity in this giddy glee ecstasy feedback loop.

This is music with a message, and its monumental enough to send seismic waves out from the stage to start a movement that doesn’t just pummel the pit, but keeps those feet marching out into the streets. The law dealers and policy makers will hear the barking echo of this ferocious chorus’ call in the very near future.

Playfully poetic and powerful, this is music that doesn’t take itself too seriously and in doing so leaves a serious impact. The bizarre and barmy bardic storytelling effortlessly fuses with the oozing juices of the classical country Americana at its heart and creates tracks filled with humour, character and life.