Gravity Circus is a black hole, the density of this huge sound implodes on itself and sucks anything that passes by its orbit to get sucked right into the supernova sound.

They claim that they’re the spearhead of a Nu-Madchester revival, sharp and pointed, it’s well aimed, powerfully thrown, and sure to pierce the armour of the unsure.

The Pleasure Dome is the kind of punk that could easily become an art exhibit. It has this effortless cool and self awareness that helps it pop vividly out of the static on your new music stream.

Ida Maria sounds like the past tipsy beauty in the street, mascara smudged, cat calling fellas as they exit the bar. Bouncing from a drunken slur to surprisingly poetic moments of perfect clarity. Flipping the finger at those that wander over and those that walkaway alike.

Pop-punk done right, Sketch perfectly blends the raw aggression and hard edges of punk with something a bit more melodic. It’s choruses take off in the direction of a thrash metal ballad but maintain a dry wit.

Over it’s relatively short playtime ‘King Kaiten’ evolves from the mist into this fuzzy/hazy masterpiece, distorted and delicious. It’s intricate layers peeling back just enough to let you a glimpse at the one below.